Please note that the originals are The build quality is excellent thanks to its metal finish but it lacks weather sealing. OpticalLimits - Lens reviews and beyond! Keeping the above context in mind, the Olympus M.Zuiko 12-100mm f/4 Pro is actually darn impressive although it doesn't touch the best performing MFT lenses, of course. With other words, the build quality of the lens is excellent and control operations feel adequate for a lens at a price tag of €999. The quality of the bokeh is not overly impressive but still acceptable for a zoom lens. The M.Zuiko 12-100mm f/4 IS PRO is one of the few Olympus lenses with a build-in 2-axis image stabilizer.
Click on a thumbnail to view the original file (opens in a separate window). However, friends of fast zoom lenses were left staring at nothing until the launch of the Panasonic 12-35mm f/2.8 in mid 2012 and only more than one year later Olympus finally joins the league of MFT prime zooms. Therefore Olympus raises the bar, at least on paper, by spending 5mm extra focal length as well as an outdoors body not only prepared for dusty and rainy but also chilly weather conditions. Nevertheless, let’s have a closer look at this beauty.
Upon the first contact you will realize that this lens is different comparing to the other MFT lenses as the speed and the weather sealing as well as the pro-finish result in a big and heavy lens. Furthermore the distortion level is fine from a user perspective, but technically it relies on a drastic amount of auto-correction by the system or a RAW-converter - especially at 12mm wide-open. © by opticallimits.com Impressum (German) Disclaimer & Cookie Statement Olympus M.Zuiko ED 12-40mm f/2.8 PRO Olympus M.Zuiko 12-50mm f/3.5-6.3 ED EZ Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH Power OIS Panasonic Lumix G 12-60mm f/3.5-5.6 ASPH Power OIS Olympus M.Zuiko 12-100mm f/4 IS PRO Panasonic Lumix G 14-42mm f/3.5-5.6 ASPH OIS II Olympus M.Zuiko 14-42mm f/3.5-5.6 ED EZ Olympus M.Zuiko 14-42mm f/3.5-6.3 II R Features like the manual focus clutch mechanism or the L-FN button will make photographers likewise movie enthusiasts happy and both will appreciate the fast and silent operation of the autofocus. Mount: Micro Four Thirds Focal length: 12mm (24mm in 35mm equivalent terms) Lens configuration: 11 elements in 8 groups Lens coating: ZUIKO Extra-low Reflection Optical coating Angle of view: 84° Minimum focusing distance: 20cm Magnification: 0.08x Aperture blades: 7 circular diaphragm blades Aperture range: 2 to 22 Filter diameter: 46mm Nevertheless, the vignetting results are pretty disappointing and a visible annoyance at 12mm and only slightly better beyond this focal length.
In fact with its 382g it feels too heavy for the Panasonic GX1 with its 320g, but this will be less of a problem for Olympus E-M1 users for sure. On the one hand the manual focus clutch mechanism, which switches easily between auto- and manual focus and on the other hand the L-FN button, which temporarily prevents unwanted autofocus operations in case of accidentally crossing objects. The 12-40mm f/2.8 is far from being the largest lens for the system but at 382g, it is certainly much bigger and heavier than the 12mm. Olympus M.Zuiko 12mm f/2. Although Olympus first pro zoom may not be perfect there's much to like about this beautiful lens and while the pricing is a little too steep in our opinion it’s still in line with its direct competitor from Panasonic. Upon first contact you will immediately fall in love with the Olympus M.ZUIKO DIGITAL ED 12-40mm f/2.8 as the mechanical implementation is exemplary and meets the expectations of a pro lens.
Olympus is promoting “an unbelievably fast AF high-performance” in combination with the Olympus OM-D and this applies also for our Panasonic cameras. At large aperture settings the center performance is excellent throughout the range. The center performance is great at 12mm f/4 and f/5.6.
The 12mm f/2 is one of Olympus’ most compact and lightweight primes, weighing in at only 130g. Moreover, talented filmmakers will love the silent autofocus and the focus distance scale.Finally, the only real downside for Panasonic users might be the missing image stabilisation, which is less of a problem for new Panasonic cameras with integrated image stabilisation like the GX7. Olympus claims an efficiency of a whopping 5 f-stops. The border and performance is generally very good. The outer image region is very good even at fully open aperture. This perception is once more leveraged by the low amount of lateral CAs.
Upon first contact you will immediately fall in love with the Olympus M.ZUIKO DIGITAL ED 12-40mm f/2.8 as the mechanical implementation is exemplary and meets the expectations of a pro lens. Furthermore, Olympus spend two unique lens features to make photographers and movie enthusiasts life easier.
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