The 90mm Macro is one of the larger prime lenses for the Sony mirrorless system. There is definite focus hunting at times, which is reduced by using the focus limiter switch. I’ve always enjoyed macro lenses. Ideally, they become perfect round smooth clean circles.Perhaps due to the more complicated design of a macro lens, the bokeh is just a bit busy on the Sony 90mm F/2.8 G macro lens.

While I have not yet …

The sharpness is quite acceptable at the borders at F4, but not as sharp as closer distances.Turning to the more extreme corners, from long distance:The story at the corners is a continuation of the story at the borders. Sharpness is less perfect from far distance, but this isn’t a lens you would really want to use for those purposes anyway. The focus ring features a clutch mechanism—you push it forward for autofocus and pull it back for manual focus. As with all macro lens , the autofocus is quite slow (a little bit slower than the Sony 90mm F2.8 macro). Read more . Like most modern macro lenses it is capable of focusing down to an object magnification of 1:1 although it also works perfectly fine as a general purpose tele lens, of course. The top is a focus limiter, which can be set to Full, 0.5-meter to infinity, or 0.28-meter to 0.5-meter.

If you're looking for a 1:1 macro lens for your Sony Alpha mirrorless system, look no further than the FE 90mm F2.8 Macro G OSS.Like other lenses for Sony mirrorless cameras, manual focus is a focus-by-wire. The center-weighted score is almost identical at f/11 (3,482 lines), but edges jump to 3,370 lines.Diffraction becomes an issue at f/16, but the lens still resolves 3,251 lines with even performance throughout the frame. I shot with the Minolta 100mm f/2.8 macro on the Sony A99 and then the Obviously, macro lenses allow for extremely close focus, permitting 1:1 magnification. I would contact Sony for the latest updates. The focus performance on the Sony 90mm f/2.8 Macro lens is excellent. At F4, it is even more subtle and it is non-existent by F5.6.I was a bit surprised and slightly disappointed by the performance of the Sony 90mm F/2.8 G macro against strong light. As depicted in the photographs, the lens has a decent amount of bulk but it is low weight considering the size, at 602 grams. The reviewed Sony FE 90mm f/2.8 Macro G OSS Lens was online-retail acquired.

It quickly grabs and holds sharp focus allowing me to get very close to my subject.. With a minimum focus distance of 0.28m (11 in) and a focal length of 90mm, this lens can really bring small objects to life! He studied at RPI and worked on the retail side of the industry at B&H before landing at PCMag. A distance scale, which lists magnification ratio, feet, and meters, turns along with it. I recently found some great promos on the 85 and 90. Sony FE 90mm F2.8 Macro G OSS. There is a single focus hold button. When used as a normal 90mm prime lens, the Sony 90mm F/2.8 Macro G produces high quality images that are mostly sharp across the frame. If you click an affiliate link and buy a product or service, we may be paid a fee by that merchant.Jim Fisher is our lead analyst for cameras, drones, and digital imaging. While the centers are sharp from all distances at all apertures, the “distant” shots aren’t quite as razor sharp as shots taken from closer distances.Border performance is exceptional at close and medium distances. Sigma 70mm f/2.8 DG Macro Art. Outlining of the circles is a bit harsh and the bokeh balls suffer from “onion rings” in the centers, as opposed to really being clean.It should be noted that only “bokeh snobs” are likely to truly be critical of this bokeh.I measured autofocus from several distances. The second set, “medium,” is about 12 feet from the target, and the last section, “near” is just about 3 or 4 feet from the subject. Any slower, it became harder and harder to get a sharp image. In real world shooting, I’d keep the shutter speed at 1/50th of a second or higher. Some crops shooting between 1/40th of a second and 1/10th of a secondThe effectiveness of the stabilization will depend on your own steadiness and technique.

A … The Sony fe 90mm macro lens is an e mount lens. If you have any interest in macro shooting, I can wholeheartedly recommend the Sony 90mm F/2.8 Macro G lens. 1-2:  Just stick to your phone camera)If interested in this lens, please considering using Sony FE 90mm F/2.8 macro body with hood and AF clutch Sony FE 90mm F/2.8, focus hold button, focus limiter switch and OSS switch stabilization, 1/25, less than a quarter images sharp stabilization, 1/10, possivle to get fairly sharp image but mostly unusable At F2.8, some very slight CA/fringing, correctable Sony FE 90mm F/2.8 vs Sony 85mm F/1.8, 90mm near corner at F2.8 Sony FE 90mm F/2.8 vs Sony 85mm F/1.8, 85mm near corner at F2.8 This blog particpates in Amazon’s Associate program and earns from qualifying purchases 6-8:  recommended with caveats. I shot with the Minolta 100mm f/2.8 macro on the Sony A99 and then the Nikon 105mm F/2.8 on the Nikon D750. The Sony FE 90mm f/2.8 G OSS macro performed pretty awesome in our full format test so let's have a brief look how it performs in the APS-C scope this time. But you do get large ghost blobs, especially at smaller aperture, really taking away from the contrast of the image.See below how the ghosting and flare progresses from F2.8 to F11:High contrast and backlit situations often can lead to significant chromatic aberration and purple fringing at wide aperture.

Sony G mid-telephoto macro lens. At 1/10th, very few of my images were acceptable. It's definitely pricey, but if you're shooting with Sony's full-frame mirrorless 1.2 Autofocus. E-mount Full Frame format. So far I have the Tamron 28-75, Sony 28/2, and an old adapted Minolta 55mm 1.8. Backlit situations can produce some low contrast ghosting. Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology.PCMag, PCMag.com and PC Magazine are among the federally registered trademarks of Ziff Davis, LLC and may not be used by third parties without explicit permission. On the good side, you don’t see defined bursts of flare. You can find him on Instagram @jamespfisherA good macro lens should be sharp, provide a good working distance from subjects, deliver images with high magnification, and offer a pleasant manual focus experience.

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